goodbeerhunting
Well-Known Member
- Joined
- Jun 30, 2014
- Messages
- 123
- Reaction score
- 249
Lazarus thread! Sweet. Just what we all wanted.
The comments on the Brewstuds article were fake. Eventually he realized and deleted them. Here's a screenshot of the one comment I made that he refused to post even as he was publishing the fake ones and arguing with the troll.
He also changed the headline because GBH was not acquired.
October is a project for our studio team myself, our art director, and our experience director). Our editorial team is not involved (except for freelancers who are able to do whatever they want). Austin Ray, our editorial director, remains GBH-only.
October is one of many projects, and we were hired by Condé Nast/Pitchfork to develop the editorial for the purpose of recruiting good beer writers and keeping a team running beyond the influence of ZX Ventures financial involvement.
All the operations, as sales, etc. will be run internally by Condé Nast/Pitchfrok reporting to ZX. Me and Eno work on editorial and don't review the work with anyone.
Possible all that changes at some point, who knows. But for now it's contractually obligated to stay separate and that's one of the reasons why we signed on.
Happy to answer any other questions on that.
The comments on the Brewstuds article were fake. Eventually he realized and deleted them. Here's a screenshot of the one comment I made that he refused to post even as he was publishing the fake ones and arguing with the troll.
He also changed the headline because GBH was not acquired.
October is a project for our studio team myself, our art director, and our experience director). Our editorial team is not involved (except for freelancers who are able to do whatever they want). Austin Ray, our editorial director, remains GBH-only.
October is one of many projects, and we were hired by Condé Nast/Pitchfork to develop the editorial for the purpose of recruiting good beer writers and keeping a team running beyond the influence of ZX Ventures financial involvement.
All the operations, as sales, etc. will be run internally by Condé Nast/Pitchfrok reporting to ZX. Me and Eno work on editorial and don't review the work with anyone.
Possible all that changes at some point, who knows. But for now it's contractually obligated to stay separate and that's one of the reasons why we signed on.
Happy to answer any other questions on that.