Not quite sure what you're asking about BU:GUs? In the .8s looks fine for a best, possibly a smidge high for a strong - the more bitter strong ones call themselves IPAs.
Not really. With beer it's pretty easy, there's four ingredients and you should be able to perceive all four of them in a balanced beer. The beholder may prefer the taste of an unbalanced beer, but that preference doesn't make the beer balanced.
Of course, a cuisine based on strong sauces is only necessary when there's a history of poor-quality and half-rotten meat - they didn't need to invent curry in Aberdeenshire or on Romney Marsh, because the local meat is so great on its own....
You'd commented on Mary's range of beers, using BU:GU and English bitters as a guideline. I was just asking if a ratio of 88 and 82.7 was a reasonable set for a best bitter and strong bitter, respectively. In other words, high 80's for a best, and low 80's, with the other "sweetish" elements I mentioned, for a strong.
On "balance," it was a bit of a riposte to Devin, who gave some slight to my use of the word. I'm really saying, to each his own, because quantifying taste - "a Parker 95 point Bordeaux is
so much better than that lousy 89 point Burgundy!" - is useless, and I truly, truly loathe it. My cooking of haute cuisine was, for me, an act of love, and I'm serious. It's what drove me since I was 12 or so, to learn and master its traditions, and share, give it over. I got out because I couldn't do it any longer but more, because it deeply saddened me its cost meant not everyone could partake of it.
So, enough screwing around. Perhaps "fine" is a better word. "That's a fine pint" is all that matters in the, gullet, of the beholder.
Balance and cuisine. Yes. Just don't tell the French their haute cuisine isn't theirs, but rather Italian. "Balance" was brought to Henry II's court by an Italian lady by the name of Catherine de Medici.
Edit: Adding, I have made many beers I, friends and family, judges (first and only entry, so that doesn't go far, admittedly) have enjoyed. To toot my own horn, Matt Brynildson once told me, "you have the touch. You should keep at it." I've lost the feeling I have a touch for much anymore. Bereft of a lot left as flotsam behind. I have to find what remains and try to smile and the pleasure it gives myself, and others.
So I could keep on going by what I do. But I have to tell you, as I love English ales, I'd like to steal the body and soul of the English palate, and English approach. So brother I
will tap your knowledge, and that of your compatriots.